Carl Atkins Carl Atkins

Sonnet notes 27

Note on Shakespeare’s Sonnets and “The Story Behind the Painting” (especially Hokusai).

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Carl Atkins Carl Atkins

Sonnet notes 26

Notes on Sonnet 132, line 14: “And all they foul who thy complexion lack.”

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Carl Atkins Carl Atkins

Sonnet notes 25

Notes on Sonnet 127, line 4: “And Beauty slander’d with a bastard shame” Introduction to the Dark Lady.

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Carl Atkins Carl Atkins

Sonnet notes 24

Notes on Sonnet 119, lines 11-12: “And ruin’d love when it is built anew / Grows fairer than at first, more strong, far greater”

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Carl Atkins Carl Atkins

Sonnet notes 23

Notes on Sonnet 110, line 10: “A God in love, to whom I am confined”

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Carl Atkins Carl Atkins

Sonnet notes 22

Notes on Sonnet 82, lines 2-3: “And therefore mayst without attaint o’erlook/The dedicated words which writers use”

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Carl Atkins Carl Atkins

Sonnet notes 21

Notes on Sonnet 78, line 3: “As every Alien pen hath got my use”

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Carl Atkins Carl Atkins

Sonnet notes 20

Notes on Sonnet 77, line 5: “The wrinkles which thy glass will truly show”

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Carl Atkins Carl Atkins

Sonnet notes 19

Notes on Sonnet 71, line 4: “From this vile world with vildest worms to dwell”

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Carl Atkins Carl Atkins

Sonnet notes 18

Notes on Sonnet 60, line 4: “In sequent toil all forward do contend”

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Carl Atkins Carl Atkins

Sonnet notes 16

Notes on Sonnet 55, line 14: “You live in this, and dwell in lovers’ eyes”

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Carl Atkins Carl Atkins

Sonnet notes 15

Notes on Sonnet 49, line 14: “Since why to love I can allege no cause”

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Carl Atkins Carl Atkins

Sonnet notes 14

Notes on Sonnet 36, line 10: “Lest my bewailèd guilt should do thee shame”

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Carl Atkins Carl Atkins

Sonnet notes 13

Notes on Sonnet 35, line 13: “Such civil war is in my love and hate”

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